Based in London, my practice explores how meaning, memory, and identity become embedded within objects, interiors, and symbolic arrangements - particularly within environments shaped by migration, fragmented belief, and overlapping cultural systems. I am increasingly interested in how individuals navigate post-AI informational uncertainty through constructed frameworks of orientation, ranging from religion, astrology, geomancy, and ritual practices to personality systems, algorithmic identity, and other contemporary forms of symbolic categorisation.
Rather than approaching these systems as stable truths or falsehoods, I see them as evolving structures through which people attempt to negotiate instability, intimacy, projection, and belonging. I am particularly drawn to moments where systems become mistranslated, hybridised, or partially detached from their original contexts - such as Wade-Giles transliterations of Eastern metaphysics, pseudo-archival cosmologies, mistranslated divination charts, or forms of hybrid cosmic bureaucracy that emerge through cross-cultural circulation. Within these distortions, I see not only misunderstanding, but also the production of new symbolic languages and emotional realities.
The form of my works oscillates between installation, moving image, performance, text, and conversational structures. Methodically, I often work through accumulative spatial arrangements, fragmented narrative systems, and symbolic misalignment - constructing environments where objects appear simultaneously ritualistic, bureaucratic, intimate, and estranged. My works tend to function less as fixed statements than as partial orientation devices, tracing how contemporary subjects continue to construct meaning under conditions of technological acceleration, spiritual resurgence, and epistemic instability.
